Since 1997, Fundación MAPFRE has focused its efforts on recovering works on paper by artists and movements that are essential for understanding the evolution and uses of drawing and painting in both Spain and Europe. The selection we present today spans a period from the mid-19th century to the mid-20th century, precisely when drawing still embodies its dual nature. On one hand, it serves as a creative medium for the final execution of other works; on the other, itdemonstrates its independence as a complete and self-sufficient art form.